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120 STUDIES FOR CLASSICAL GUITAR

-64 progressive studies to develop the right hand technique in Classical Guitar.

-56 variations on classic melodies to develop             counterpoint in Classical Guitar.

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EXAMPLES BELLOW 

 

Right Hand Studies- Set 1

Set 1 ex.1
00:00 / 00:13
Set 1 ex 2
00:00 / 00:13
Set 1 ex 3
00:00 / 00:13
Set 1 ex 4
00:00 / 00:13
Set 1 ex 5
00:00 / 00:13
Set 1 ex 6
00:00 / 00:13
Set 1 ex 7
00:00 / 00:13
Set 1 ex 8
00:00 / 00:14

Right Hand Studies- Set 2

Playing 2 voices p.15

2 voices 1
00:00 / 00:12
2 voices 2
00:00 / 00:12
2 voices 3
00:00 / 00:12
2 voices 4
00:00 / 00:12
2 voices 5
00:00 / 00:12
2 voices 6
00:00 / 00:12
2 voices 7
00:00 / 00:12
2 voices 8
00:00 / 00:12

Variations I p.16

Set 2 ex 1
00:00 / 00:13
Variation 1.1
00:00 / 00:21
Set 2 ex 2
00:00 / 00:13
Variation 1.2
00:00 / 00:21
Set 2 ex 3
00:00 / 00:13
Variation 1.3
00:00 / 00:21
Set 2 ex 4
00:00 / 00:12
Variation 1.4
00:00 / 00:21
Set 2 ex 5
00:00 / 00:12
Variation 1.5
00:00 / 00:21
Set 2 ex 6
00:00 / 00:12
Variation 1.6
00:00 / 00:21
Set 2 ex 7
00:00 / 00:12
Variation 1.7
00:00 / 00:21
Set 2 ex 8
00:00 / 00:12

Right Hand Studies- Set 3

Variation 1.8
00:00 / 00:21

Variations II p.18

Set 3 ex 1
00:00 / 00:12
Variation 2.1
00:00 / 00:14
Set 3 ex 2
00:00 / 00:12
Variation 2.2
00:00 / 00:14
Set 3 ex 3
00:00 / 00:12
Variation 2.3
00:00 / 00:17
Set 3 ex 4
00:00 / 00:12
Variation 2.4
00:00 / 00:14
Set 3 ex 5
00:00 / 00:12
Variation 2.5
00:00 / 00:14
Set 3 ex 6
00:00 / 00:12
Variation 2.6
00:00 / 00:12
Set 3 ex 7
00:00 / 00:12
Set 3 ex 8
00:00 / 00:13

Right Hand Studies- Set 4

Variation 2.7
00:00 / 00:12
Variation 2.8
00:00 / 00:12

3 voice counterpoint p.21

Set 4 ex 1
00:00 / 00:13
Set 4 ex 2
00:00 / 00:13
3 voices 1
00:00 / 00:09
3 voices 2
00:00 / 00:09
Set 4 ex 3
00:00 / 00:12
3 voices 3
00:00 / 00:09
Set 4 ex 4
00:00 / 00:12
Set 4 ex 5
00:00 / 00:14
Set 4 ex 6
00:00 / 00:12
Set 4 ex 7
00:00 / 00:12
Set 4 ex 8
00:00 / 00:12

Right Hand Studies- Set 5

Set 5 ex 1
00:00 / 00:12
Set 5 ex 2
00:00 / 00:12
Set 5 ex 3
00:00 / 00:12
Set 5 ex 4
00:00 / 00:12
Set 5 ex 5
00:00 / 00:12
Set 5 ex 6
00:00 / 00:12
3 voices 4
00:00 / 00:09
3 voices 5
00:00 / 00:09
3 voices 6
00:00 / 00:09
3 voices 7
00:00 / 00:09
3 voices 8
00:00 / 00:09

Variations III p.22

Variation 3.1
00:00 / 00:14
Variation 3.2
00:00 / 00:15
Variation 3.3
00:00 / 00:14
Variation 3.4
00:00 / 00:14
Variation 3.5
00:00 / 00:14
Variation 3.6
00:00 / 00:14
Set 5 ex 7
00:00 / 00:12
Set 5 ex 8
00:00 / 00:12

Right Hand Studies- Set 6

Set 6 ex 1
00:00 / 00:12
Set 6 ex 2
00:00 / 00:12
Set 6 ex 3
00:00 / 00:12
Set 6 ex 4
00:00 / 00:12
Set 6 ex 5
00:00 / 00:12
Set 6 ex 6
00:00 / 00:12
Set 6 ex 7
00:00 / 00:13
Set 6 ex 8
00:00 / 00:13

Right Hand Studies- Set 7

Set 7 ex 1
00:00 / 00:13
Variation 3.7
00:00 / 00:14
Variation 3.8
00:00 / 00:14

Variations IV p.24

Variation 4.1
00:00 / 00:11
Variation 4.2
00:00 / 00:11
Variation 4.3
00:00 / 00:11
Variation 4.4
00:00 / 00:11
Variation 4.5
00:00 / 00:11
Variation 4.6
00:00 / 00:11
Variation 4.7
00:00 / 00:11
Variation 4.8
00:00 / 00:15

Variations V p.25

Variation 5.1
00:00 / 00:11
Set 7 ex 2
00:00 / 00:13
Set 7 ex 3
00:00 / 00:13
Set 7 ex 4
00:00 / 00:13
Set 7 ex 5
00:00 / 00:13
Set 7 ex 6
00:00 / 00:12
Set 7 ex 7
00:00 / 00:12
Set 7 ex 8
00:00 / 00:12
Variation 5.2
00:00 / 00:11
Variation 5.3
00:00 / 00:11
Variation 5.4
00:00 / 00:14
Variation 5.5
00:00 / 00:14
Variation 5.6
00:00 / 00:13
Variation 5.7
00:00 / 00:15
Variation 5.8
00:00 / 00:13

Right Hand Studies- Set 8

Set 8 ex 1
00:00 / 00:13
Set 8 ex 2
00:00 / 00:13
Set 8 ex 3
00:00 / 00:13
Set 8 ex 4
00:00 / 00:13
Set 8 ex 5
00:00 / 00:13
Set 8 ex 6
00:00 / 00:13
Set 8 ex 7
00:00 / 00:13
Set 8 ex 8
00:00 / 00:13
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